"WILLIAM OCEAN edged out SANJAR THE DESTROYER by a narrow margin in a
highly post-modern interpretive act as good as anything I've seen thus
far and then some. It was a conceptual masterpiece and psychologically
taut, thematically adhering to oceanic abstractions: a metal cover of
the "Titanic" song, a nod to Ritchie Tenenbaum on board the Queen
Helena destined for the Eastern seaboard, a 24-foot waving banner
rolling across the sell-out crowd at twelve knots, and assless chaps."